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PDF typeset by L. Nocturne in C-sharp minor, B. Creative Commons Attribution 4. Creative Commons Attribution Non-commercial 3. Naxos Javascript not enabled.

Creative Commons Attribution 3. Work Title Nocturne in C-sharp minor Alt ernative. Title Name Translations Nocturne No. A comparison of the piece played by Adrien Brody in the film with the score above will illustrate some differences. This is because the PDF version provided above is a slightly simplified version that contains some modifications from the original Chopin manuscript.

The Henle Urtext versions, considered by many to be accurate, appears to contain many editorial modifications from the original manuscripts, including the F in place of the original D as mentioned in the miscellaneous notes above. The Leon Erdstein edition appears to be faithful to the original manuscript, for this particular piece at least. Finally, the Paderewski editions of Chopin, considered by some to be spurious, contain a commentary at the back of the volume which details the sources with any known modifications clearly listed. Nocturnes ; For piano ; Scores featuring the piano ; For 1 player ; For violin, piano arr ; For 2 players ; Scores featuring the violin ; For cello, piano arr ; Scores featuring the cello ; For guitar arr ; Scores featuring the guitar.

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Anna Fedorova – Polonaise in F sharp minor, Op. 44 (second stage, 2010)

Performer Pages Yikyung Diana Hughes piano. Performer Pages Rami Bar-Niv piano. Performer Pages Stefano Ligoratti piano.

Gennadi Podelski

Stefano Ligoratti. Performer Pages Harald Vetter Piano. Youtube Performance. Recorded on Then I removed the capitalization of terms as suggested.


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I am willing to add the numbering from the edition to the list. And I am doing it because these are great ideas that I believe will improve the article. In exchange, Mr. Schonken has refused to accept any of the suggestions made, including not publishing material that has no real source so called systems "B" and "C" and is incomplete in nature basically all of the Dances are missing in his table , not changing the formatting of the Deutsch numbers, and not removing the all around capitalization of movements.

In fact, three out of the four people editing this list as of late have suggested making this change user "JackofOz" actually went ahead and did it, and this was immediately reversed by Mr. Now he has decided to add more information to the table, links to scores, which have not been discussed in this page, and which in my opinion, clutter the table even more than it already is.


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  6. So in other words, the feeling I am getting is that if he adds or removes something it is ok, but if somebody else does it, it is not. If this is going to be the Francis Schonken page of Schubert's piano works, then we might as well not carry on. And one final point: the actual quote used by Mr. Schonken was "I know the table is a drag, but it contains info as yet not combined in the bulletted list". So it would be nice to acknowledge that this statement was actually made.

    Your Answer

    But it seems it would be impossible to do so because the consequence of this is that if the bulletted list contained the info from the table, as I suggest it does, the table would no longer be necessary Solti79 talk , 4 August UTC. I was trying to find references for the "B" numbering system of the sonatas. Seems like it is vanished, so I no longer support to keep that information in this list, that's at least one column less in the table. I don't know whether Classical Archives is enough as a reference, but it is clearly the numbering system that is often encountered.

    I'd like to know the sources of this numbering system, where does it originate? That being said, whether representation of the and the "current" numbering systems are best served by a table or a flat list is still to be determined. L'orchestra virtuale del Flaminio: Franz Schubert - Catalogo delle composizioni versione completa appears an excellent source for the numbering system going to 23 piano sonatas. I think your previous suggestion on finding out whether the Wiener Urtext Edition has a numbering system is an excellent idea.

    I would be of the opinion that a printed edition carries much more weight as a serious reference than a website like Classical Music Archives or Flaminio Online. Unfortunately, I do not have access to the Wiener Urtext Edition. But let me try to look into that. I think it is good trying to find common ground between our ideas. I am trying to look at the table in a positive manner and I have some questions for you in that regard: 1 Is it your intention to include all Deutsch numbers related to a piano work, or just the "large" works, as it seemed it was your initial proposal?

    I just feel a little uneasy about having incomplete info. I have some ideas but I would like to know if you would be open for suggestions. I think this would help us achieve uniformity within the article and could save a lot of time as we all know editing the table is a tedious process. In terms of the References, what I used for the bullet list were the Deutsch catalogue do you have access to it? I think those could work, right? Based on the research conducted, I should tell you that OAW is good obviously but not always very exact compared to the other two.

    But that's ok, we could work on it in the article if that is what you prefer. I think it would be good to add the Deutsch No. We know the Sonatas are the only works that will use the two numbering systems columns, so it made more sense to me to switch these.

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    I would suggest using all the titles as in the bullet list, if you don't mind I used the terms in English and found this more convenient. Also, I originally reserved italics for nicknames of works. For the date, I just wonder how convenient it is to be so specific to add day, month and year of composition, considering how this would affect the order of works where we only know the year. By the way, I didn't add all references, just wanted you to take a look first see table in the bottom : Solti79 talk , 5 August UTC.

    Allegro fragment [6]. I agree that the column width should be limited, so you are right about the headers. I also agree with what you state regarding the names of compositions. View whole album. Other recordings available for download. The harmonic and pianistic idiom of that work is strongly reflected in the collection of ten Preludes that make up his Op 23, composed between and beginning with the famous G minor, No 5.

    Preludes, Op 23 (Rachmaninov) - from CDA - Hyperion Records - MP3 and Lossless downloads

    If Rachmaninov needed emotional fuel for the soul-states explored in this set, he could have found it easily enough in his own past—in the joys of his privileged upbringing and especially the trauma of being twice uprooted from it once thanks to the spendthrift habits of his father, then owing to failure in all his exams through laziness. The product of those elements was an intense nostalgia. And despite a certain reluctance to do his homework, he seems somehow to have acquired equally solid skills as a composer from his lessons with Sergei Taneyev, the greatest Russian master of counterpoint as Tchaikovsky accurately described him.

    He was therefore able to fashion textures of maximal grandeur and opulence without resort to facile effect-mongering. Steven Osborne piano. Now Steven h Alessio Bax piano. Centered around the Preludes op 23, the programme is descr Howard Shelley piano. These superbly recorded, idiomatic readings demonstrate Shelley's virtuoso pianism and aff Nikolai Demidenko piano. Jeremy Filsell piano.